Marlowe and the Stage Machiavel - The Dramatic Function of Barabas in Christopher Marlowe's "The Jew of Malta"


Term Paper (Advanced seminar), 2002

22 Pages, Grade: 1,0


Excerpt


Table of Contents

1. Introduction

2. Dramatic functions
2.1 Barabas - the descendant of the Vice
2.2 Barabas - the stereotyped Jew
2.3 Barabas - the stage Machiavel
2.3.1 The stage Machiavel and its origins

3. Marlowe and Machiavelli
3.1 Background - the historical Machiavelli and Tudor political thought
3.1.1 The historical Machiavelli 11 3.1.2 Tudor political thought and the Augustinian world view
3.2 鏑et them know that I am Machevill・-the prologue to the Jew of Malta

4. Barabas - a Machiavellian figure? 16

5. Conclusion

6. Works Cited 21

Excerpt out of 22 pages

Details

Title
Marlowe and the Stage Machiavel - The Dramatic Function of Barabas in Christopher Marlowe's "The Jew of Malta"
College
University of Dusseldorf "Heinrich Heine"  (Institut für Anglistik und Amerikanistik)
Course
Elizabethan Stage Villains - Shakespeare and Marlowe
Grade
1,0
Author
Year
2002
Pages
22
Catalog Number
V171199
ISBN (eBook)
9783640904723
ISBN (Book)
9783640904969
File size
444 KB
Language
English
Keywords
marlowe, stage, machiavel, dramatic, function, barabas, christopher, marlowe, malta
Quote paper
M.A. Pia Witzel (Author), 2002, Marlowe and the Stage Machiavel - The Dramatic Function of Barabas in Christopher Marlowe's "The Jew of Malta", Munich, GRIN Verlag, https://www.grin.com/document/171199

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